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Abteilung für Sprache und Kultur Japans
Asien-Afrika-InstitutSprache und Kultur Japans

Foto: Döll

Prof. Dr. Eike Großmann

EG

Foto: Eike Großmann

Professorin

Kultur- und Theatergeschichte Japans

Anschrift

Universität Hamburg
Fakultät für Geisteswissenschaften
Asien-Afrika-Institut
Sprache und Kultur Japans
Edmund-Siemers-Allee 1, Flügel Ost
20146 Hamburg

Büro

Raum: ESA-O 113

Sprechzeiten

Donnerstags, 10–12 Uhr, nach vorheriger Vereinbarung per E-Mail

Kontakt

Tel.: +49 40 42838-4825
Fax: +49 40 42838-6200

Schwerpunkte

  • Kulturgeschichte Japans
  • Japanisches Theater
  • Materielle Kultur Japans

seit 12.2021 Professorin für Japanologie: Kultur- und Theatergeschichte am Asien-Afrika-Institut der Universität Hamburg
seit 09.2020 Occasional Visiting Fellow am Nogami Memorial Nō Theatre Research Institute der Hōsei Universität (Tōkyō)
04.–08.2020 Senior Fellow am Maimonides Centre for Advanced Studies (MCAS) der Universität Hamburg
04.2019–01.2020 JSPS Fellowship am Nogami Memorial Nō Theatre Research Institute der Hōsei Universität
09.2015–08.2016 Hakuhō Research Fellow an der Waseda Universität (Tōkyō)
03.2012–02.2019 Juniorprofessorin für Japanologie: Theater und Kulturgeschichte am Asien-Afrika-Institut der Universität Hamburg
seit 01.2012 Associate Fellow am Tsubouchi Memorial Theatre Museum der Waseda Universität
10.2008–02.2012 Wissenschaftliche Mitarbeiterin an der Professur für Kultur- und Ideengeschichte der Japanologie an der Goethe-Universität Frankfurt
2008 Promotion (Dr. phil.) im Fachbereich II: Sprach- und Literaturwissenschaften, Japanologie an der Universität Trier
04.2006–03.2009 Doktorandin an der Fakultät für Geisteswissenschaften der Waseda Universität
04.2005–03.2006 Forschungsstudentin an der Fakultät für Geisteswissenschaften der Waseda Universität
06.2004–06.2007 Wissenschaftliche Mitarbeiterin im interdisziplinären Forschungsprojekt „Zwischen Selbstbild und Fremdwahrnehmung: Identitätswandel im japanischen Nō-Theater im Zeitalter der Internationalisierung“ an der Universität Trier (VolkswagenStiftung)
2004 Abschluss (M.A.) an der Universität Trier
10.2001–09.2002 Studienaufenthalt an der Gakugei Universität (Tōkyō)
10.1999–05.2004 Studium der Japanologie, Sinologie und Germanistik an der Universität Trier
10.1998–03.1999 Studienaufenthalt an der Dōshisha Universität, Kyōto
10.1997–09.1999 Studium der Japanologie an der Universität Tübingen

Publikationen

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Seite 1: Ergebnisse 1 bis 10 von 50

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@inbook{4ecd87fe0d7b405689372c774a29099e,
title = "Planned, yet Improvised: Shimotsuma Shōshin{\textquoteright}s Performance Notes on Late Sixteenth Century Japanese Nō Theatre",
author = "Eike Grossmann",
year = "2025",
month = dec,
day = "14",
language = "English",
isbn = "9783111682754",
series = "Studies in Manuscripts Cultures",
publisher = "De Gruyter",
editor = "Thies Staack and Jos{\'e} Maksimczuk",
booktitle = "Accumulating Notes: Note-taking and Multilayered Written Artefacts",
address = "Germany",

}

@inbook{7740ee330b194ab89fb847e106c0a2c9,
title = "Introduction: Issues in the Study of Female Agency in Manuscript Cultures",
author = "Eike Grossmann",
year = "2024",
month = jun,
day = "3",
doi = "10.1515/9783111382715-001",
language = "English",
isbn = "9783111382340",
series = "Studies in Manuscript Cultures",
publisher = "De Gruyter",
pages = "1–18",
booktitle = "Female Agency in Manuscript Cultures",
address = "Germany",

}

@book{992410fff9b84d6b8f1640fea883c357,
title = "A Companion to Nō and Kyōgen Theatre, Vol. 1",
abstract = "Nō and kyōgen theatre are among the longest continuously staged dramatic forms in the world and are deeply connected to Japanese arts, culture, society, and history. This richly illustrated two-volume set brings together the important elements of these traditions to offer new insights, with contributions by Japanese and non-Japanese experts from a broad range of disciplines. It represents the most ambitious and exhaustive exploration of nō and kyōgen to date, and is an invaluable resource for both scholars and enthusiasts. ",
editor = "Reiko Yamanaka and Monica Bethe and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
year = "2024",
language = "English",
isbn = "978-90-04-70084-0",
series = "Handbook of Oriental Studies. Section 5 Japan",
publisher = "Brill",
number = "1",
address = "Netherlands",

}

@book{128248f186f146649c3ce8941b93c928,
title = "A Companion to Nō and Kyōgen Theatre, Vol. 2",
abstract = "Nō and kyōgen theatre are among the longest continuously staged dramatic forms in the world and are deeply connected to Japanese arts, culture, society, and history. This richly illustrated two-volume set brings together the important elements of these traditions to offer new insights, with contributions by Japanese and non-Japanese experts from a broad range of disciplines. It represents the most ambitious and exhaustive exploration of nō and kyōgen to date, and is an invaluable resource for both scholars and enthusiasts. ",
editor = "Reiko Yamanaka and Monica Bethe and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
year = "2024",
language = "English",
isbn = "978-90-04-72273-6",
series = "Handbook of Oriental Studies. Section 5 Japan",
publisher = "Brill",
number = "2",
address = "Netherlands",

}

@book{bbad203461b2451aa72f84047ea7f5d8,
title = "Female Agency in Manuscript Cultures",
abstract = "Manuscript cultures have frequently forgotten, neglected, or even erased women{\textquoteright}s contributions from memory. Women{\textquoteright}s agency has also been a glaring blind spot in the scholarly pursuit of gender perspectives on the production of written artefacts. This volume addresses these lacunae by highlighting manuscripts and inscriptions by and for women, their active participation and enabling sponsorship, and their role in the circulation and dissemination of written artefacts. Seven papers present case studies from East Asian inscriptions to ancient cuneiform epigraphic, Egyptian graffiti from late antiquity to individual specimen and large-scale collections in medieval Europe, focusing on how women participated in and contributed to those. How did they assert their involvement, their claims and their aspirations? By what rationales and mechanisms were they excluded or their contribution marginalised? How did they react to structures that discriminated against them, eventually circumventing, subverting and transforming them? The present volume sheds light on new findings, gives unique insights and discusses methodological considerations in the budding field of women{\textquoteright}s manuscript studies.",
editor = "Eike Grossmann",
year = "2024",
doi = "10.1515/9783111382715",
language = "English",
isbn = " 9783111382340",
series = "Studies in Manuscript Cultures",
publisher = "De Gruyter",
address = "Germany",

}

@inbook{1e15370ef4884e868648cf1726c07a24,
title = "Introduction to the Material Culture of Nō and Kyōgen",
author = "Eike Grossmann",
year = "2024",
doi = "10.1163/9789004722781_003",
language = "English",
isbn = "978-90-04-72273-6",
series = "Handbook of Oriental Studies. Section 5 Japan",
publisher = "Brill",
number = "2",
pages = "575--578",
editor = "Reiko Yamanaka and Bethe, {Monica } and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
booktitle = "A Companion to N{\=o} and Kyōgen Theatre, Vol. 2",
address = "Netherlands",

}

@inbook{76b353469d824cea9be82320138b3dd0,
title = "Tsuke: Notes on Movements, Gestures, Music, and Stage Properties",
author = "Nozomi Fukazawa and Yukiko Nakatsuka and Reiko Yamanaka and Eike Grossmann",
year = "2024",
doi = "10.1163/9789004722781_003",
language = "English",
isbn = "978-90-04-72273-6",
series = "Handbook of Oriental Studies. Section 5. Japan",
publisher = "Brill",
number = "2",
pages = "617–622",
editor = "Reiko Yamanaka and Bethe, {Monica } and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
booktitle = "A Companion to N{\=o} and Kyōgen Theatre, Vol. 2",
address = "Netherlands",

}

@inbook{bff48a2360a64cbe9f2bd81e8a860674,
title = "Utaibon for Amateurs and Connoisseurs",
author = "Takamitsu Ikai and Eike Grossmann",
year = "2024",
doi = "10.1163/9789004722781_003",
language = "English",
isbn = "978-90-04-72273-6",
series = "Handbook of Oriental Studies. Section 5 Japan",
publisher = "Brill",
number = "2",
pages = "622–626",
editor = "Reiko Yamanaka and Bethe, {Monica } and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
booktitle = "A Companion to N{\=o} and Kyōgen Theatre, Vol. 2",
address = "Netherlands",

}

@inbook{b27de44e98544ea38338ff956c09f23b,
title = "Kurokawa Nō",
author = "Eike Grossmann",
year = "2024",
doi = "10.1163/9789004700840_005",
language = "English",
isbn = "978-90-04-53966-2",
series = "Handbook of Oriental Studies. Section 5 Japan",
publisher = "Brill",
number = "1",
pages = "374--376",
editor = "Reiko Yamanaka and Bethe, {Monica } and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
booktitle = "A Companion to N{\=o} and Kyōgen Theatre, Vol. 1",
address = "Netherlands",

}

@inbook{ccf03f9c4a344f08ad6cbcb4225f5f27,
title = "Nō and Political Leaders from the Late Sixteenth to the Early Eighteenth Century",
author = "Eike Grossmann and Keizō Miyamoto",
year = "2024",
doi = "10.1163/9789004700840_003",
language = "English",
isbn = "978-90-04-53966-2",
series = "Handbook of Oriental Studies. Section 5 Japan",
publisher = "Brill",
number = "1",
pages = "68--85",
editor = "Reiko Yamanaka and Bethe, {Monica } and Eike Grossmann and Hare, {Thomas B.} and Diego Pellecchia and Michael Watson",
booktitle = "A Companion to N{\=o} and Kyōgen Theatre, Vol. 1",
address = "Netherlands",

}

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